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Stranger Things
Second was the wrist rockets. I totally forgot about those things but I had one and thought it was the coolest thing ever when I got it.
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1) Hopper is one of our main POV characters, yet at the end our access to his experience is pulled away. Lame.
What was the deal? Why get in the car? Is El alive or just hopeful?
2) Will spits up the slug and sees the Upside Down. Then, he just goes back to dinner as if nothing happened. No "It's back!" or "Mom, I saw it!". nothing. He was too cool about this.
Those sorts of things left me feeling a bit down. I was _really_ hoping this would have been totally self contained and any future season would be a new story. I'm not into seasons after seasons of a show...
I'd like to add that I really liked the Hopper character. Definitely a hero type character not around anymore. He wasn't a psychical specimen, nor had Bourne-like ninja abilities. Just a regular, bull headed dude wanting to do right and had a mean right hook. As I read elsewhere, he's the type of character a Harrison Ford or a Roy Scheider would have played.
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- Colorcrayons
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#2 I'm less worried about. #1 is the smart way to segue into season 2, #2 is the way you take to get through to dense audiences that the show is not quite over.
I don't blame the kids reaction. If you spent that amount of time surviving against horrors of that variety, I'm pretty sure id be pretty bliase about the bathroom scene. After surviving all that fear, everything else is just you going through the motions. He isn't a boy anymore, mentally at least.
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- Black Barney
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- Cranberries
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Black Barney wrote: I don't have Netflix! Ralph on Stern can't get enough of it. If Winona Ryder is terrible and the show is still really good, that's saying something
I thought Winona was terrible through the very end, and I say that as a fan who was happy to see her.
I agree that the sheriff was just a great, broken character who had been through hell and didn't care any more.
Also bothered by his ride in the limosine, and having the sheriff give up Eleven--that was just brutal and coldly amazing.
Why did the sheriff put the food in the box at the end, with the Eggos?
Am I the only one outraged and saddened that Badass Nancy stayed with Steve? And it seemed to me that Steve had become a legitimately decent person at the end.
This is terribly shallow of me, but everyone in this series was very real looking. I wasn't sure if it was because they all resembled aged photos from the eighties, or if they just chose people who didn't have perfect faces and teeth, like BBC television.
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So did the wife!
Similar to Mr. White, I had hoped it would be self contained and take the American Horror Story route.
The last two segments suggested otherwise. For shame, as I can't imagine lightning striking twice. Not nearly as good, but has Netflix learned nothing from Hemlock Grove?
And as far as W. Ryder is concerned - give her a break. The mother was hysterical for the entire season. Her role (like most of the adults) had little range, and there was no where for her to go as an actress. Even Meryl Streep would have a tough time with that part.
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I also agree with a few others: too bad the season isn't self-contained. There's more mileage to be had from the characters, I think, but there doesn't to be another story there, at least not unless they rehash what's been done. I would like to see another town, new characters, a different story, but according to the writers, that's not going to happen.
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- Cranberries
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- hotseatgames
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hotseatgames wrote: Just finished it. One of the better series I've seen lately. If there is more, I'd prefer it to be a completely different story with different characters.
It will be a sequel, and with the same essential characters. Already announced.
My girls loved the show and I mostly liked it, but didn't quite love it. But we're looking forward to more.
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- Michael Barnes
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I'd rank it among my favorite series. I just love everything about it. And it's a rarity in today's TV culture...nobody fucks anybody over, there aren't endless surprise deaths, there is no bullshit lore dragging a simple story into the mud, and at the end everyone is in a better place than they were at the beginning, for the most part..
Dustin is the best. "Why are you keeping this curiosity door closed?" "It's rule of law! Do you want to be banished from the party?" "You two started acting like goblins with intelligence scores of zero."
And Barb. "It's probably going to turn into one big orgy"
Apparently the guys that did the soundtrack have a band in Austin, they are called
S U R V I V E. It sounds a lot like Sinoia Caves.
Which reminds me. If you liked this show, take a look at Beyond the Black Rainbow.
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- Cranberries
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Michael Barnes wrote: And it's a rarity in today's TV culture...nobody ****s anybody over,
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I feel like I've been served a delicious fry-up of rehashed nostalgia, movie/tv moments and tropes*, all cynically engineered to push my nostalgia pleasure centres. The story itself was mapped out entirely by the third episode, leaving the rest to a kind of "see how they get to the end" exercise.
I did actually like how the relationship(s) ended up, subverting some norms for these kinds of stories.
*INTERTEXTUAL.
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The show was so very, very good. If you haven't watched it, go now and do so.
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